When adding the details onto the screen such as swirls and raised carvings we had to consider weight. If too much weight was added to the front of the screen then it would topple over or need the extre weight re enforcement box applied to the back of the central panel. polystyrene and paper mache seemed the cheapest, quickest and lightest option. I purchased a range of sized polystyrene balls in the university shop for 50p each. Cutting them in half and applying them with pva to the wood added some enhanced detail on the shaped frame. A piece of thick string and cord/braid was easily appied once drenched in glue, it was manipulated into swirls and borders. All these details were held down with two or three layers of pva, water and blue tissue. We used ble tissue instead of newspaper because it would sink into the small swirls and not hide the detailing underneath. The flat pieces of MDF had a final layer of newspaper added to stop the ridged texture of the tissue showing through the paint later on. While layers of the tissue were drying Rob and I tacked the crimson velvet in place using a stapel gun. By holding the two pieces of the screen together we were able to draw around the inside of the top frame, indicating where the fabric had to stretch to. In the original design only the outer panels had fabric inlays but we had enough spare to cover the central panel too so we did as we prefered this textured finish to just a painted effect. On the sections of the screen that had the smashed hole we merely notched the fabric with the intention of pinning it around the back later.
Sunday, 15 May 2011
Beginning of the week: Screen details
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