Thursday, 19 May 2011

Finishing the Chaise and Screen

On the Tuesday and Wednesday of this week I managed to complete (with Nicky and Rob) my two allocated pieces of furniture. The chaise unlike most chaise lounge is not going to be pushed up against a wall, infact the back is facing the shot of the camera so areas of older wood had to be covered. To do this and not taint the wood underneath we cut a seperate piece of plywood in the curved shape of the leg side joined to the head rest. A template was made with paper and transferred onto the ply, once the ply was cut out on a bandsaw it was covered in doublesided tape and a strip of the William Morris fabric was stuck to the front, notches cut and then the fabric folded over and stuck to the back. Once this piece was covered we used hot glue to attach it to the chaise. Hot glue was a specific decision as it will be easier to remove without leaving marks or bits on the wood when it is eventually stripped off for return to Nicky's mum. After this was secured some areas on the wood had small patches of fabric stapled on but we completed it by hot gluing the last pieces of green and blue braid around this curved head rest detail.










The screen was at the stage of painting after we had glued the seperate frames together with Evostick (contact adhesive) and clamped the pieces overnight to ensure a firm hold. Instead of creating woodgrain effect (we tried this but stopped because it did not work very well with all the lumps and details of the screen plus there was a lack of paint after other panels and furniture in the two groups rooms.) We wanted the screen to look burnt, dark and a dominant feature of the room. A piece that intimidates and looks engulfed by death and Ivan's fears and nightmares. The base coat was a dark brown (burnt umber). Then using a dry brush and some black paint I picked out areas of definition and shade blending and bleeding the black across, darkening the whole piece, resembling to me the roasted skin of a chestnut, a rich brown, blistered with black burns. Once these layers had dried I used a bronze acrylic applied with my finger to pick out the details and features. Later Rob and I completed the surface effect using French Polish, thickly applied and then Rob splashed droplets of water to the wet polish, this created a water mark with a slight white reaction that immediately aged the surface alluding to mould and stains.





The batwing detail was mounted in the top of the middle panel with araldite adhesive and two screws were then drilled into the back through to the two thicker sections of the hourglass. The next stage was to hinge the panels together. We screwed on the four brass hinges then stood up the screen to see if the weight distribution was equal. Unfortunately we came across many problems. One problem was that the two outer panels of the screen did not bend in enough inward to be able to stand, the wooden routed pieces at the bottom of the panels had to have the corners cut away to allow the screen to bend inward. Using a hack saw Rob took off these corners. Another issue was that the central panel was too top heavy and it leant backwards. We agreed we needed to make the screen rock forward to allow this weight to lean forward on the two outer feet. Using a jigsaw we cut slithers off these two outer feet. Wedges off the bottom now meant the screen could fall forward slightly and lean onto these two outer feet. Now the weight was evenly distributed because the central panel was not leaning backwards. The last thing was to touch up areas of paint that had not covered all the MDF or paper mache. We decided against adding the mirrors for many reasons. Though the mirrors would have been a great feature to the room and another distortion to focus on, real mirror would be very expensive to get cut to the sizes me needed (and breaking it would hae taken longer than we had to convinsingly reassemble) the fake plastic mirror surface that is sold in the store was more like a funhouse mirror it frosted and sratched very easily. Many people in the group said that the fun house effect woud have been good but in the back of my mind was alway the worry that it would just look fake. I figured we have done so well on it so far and I would hate to ruin it with over oing it with mirrors that never look convinsing. Plus the effects of the fabric were loved so much by the group we though it would be a shame to cover it with mirror.





Monday, 16 May 2011

16th May continuing the chaise








Today we continued with our seperately allocated items. The day was very productive with everyone focusing on their own work but helping out with others if they needed help. Nicky and I began to apply the braid onto the chaise. Out of the selection Nicky brought back with her we chose to use two different ones, a plain blue 3/4 inch braid for around the top half of the piece but also a green braid that had tassels this was a detail that suited framing the bottom of the chaise. Unfortunatly as these particular braids did not have the usual flap to hide the pins we had to attach this on with a hot glue gun instead of using upholstery pins. The pictures below show how the braid was attached after the trimming of the excess fabric, and its purpose in hiding the old wood and the staples.
Other activities that went on today included... Nicky and Callum fitting the second door onto its hinges, Fiona finished painting and glazing the tiles. Jenny and Rhyan completed the stenciling of the wallpaper, Steph and Kirby continued to plan how to baroque the comfy chair. Fiona brought in a vast selection of old picture frames and mirrors that already were of the baroque fashion but either needed repainting or fixing, Abby and Nicky proceeded to do this while Nicci used the gold paint to pick out delicate features of her table legs. Dan, Chloe and Nuria began work on the writing desk starting with the four legs, they skillfully carved the pine legs using a lathe. Lauren worked on painting her small table.

Sunday, 15 May 2011

Inspiration from 'The King's Speech'





While watching 'The King's Speech' (2010, Tom Hooper) over the weekend one of the sets inspired me with ideas looking towards how we will decay the wall behind the screen. Lionel Logue, speech theropist to George VI had a very unique office. Much of his work took place within this huge empty sparce room, with one baroque style sofa against a wall of torn and damaged paper/paint. The layers of destressed colour are a maze to the eye, almost as if an animal has agressivly attacked it or that over years and years of weather and wear the layers of the rooms past have been exposed. In our corner this same technique would be used but for a darker morbid affect. Death is destroying his house from this corner like an animal attack that is stripping Ivan's soul away layer by layer exposing his fears. The film also had many examples of palace interiors likening to the paintings of the Winter Palace in my early research. The pictures below show and example of production designer Eve Stewart's original drawings for the room, against the final set still.
pictures sourced from

www.icgmagazine.com/wordpress/2011/02/02/eve-stewart/


www.flickr.com/photos/addictive_picasso/sets/72157625882741604/detail/


www.mydeco.com/blog/the-kings-speechs-oscar-nominated-eve-stewart-on-set-design

Friday 13th May











Today was a mixture of getting many little jobs done before the weekend. Rob and I purchased some styrofoam blocks, 2x (300mmx600mm) at 50mm thick for £8. These would be used to create the legs of our screen. By tracing around the MDF legs Rob was able to use a band saw to cut out the shapes. At the bottom of the screen panels, lengths of pine were cut on the band saw and routed to curve them these added another 3d detail to the screen and gave us a thickness to shape the legs to. Using a scalpel, mouse sander and sand paper we were able to shape the four legs to fit the MDF ones. I used a scalpel to carve out the feet/toes and dew claw (mimicing a dog or lion foot that was popular in the baroque movement). Once they were sanded they were applied to the MDF with pva.

Fiona continued to paint her tiles, Chloe and Dan painted their book shelf and began on the doors for it. Nicky and Callum constructed two double skinned flats for the double doors into the drawing room. Abbie upholstered her pouffe and Rhyan Jenny and Vicky continued to stencil the drawing room and study. Their stencils were taken from designs that Rhyan found in a William Morris book, photocopied and traced using acetate then cut out with a scalpel and using sponges the paint was applied to the walls.





London Borovick Fabrics and the V&A







On Thursday 12th May , Fiona, Callum, Nicky and I went up to London to a fabric shop in Soho. According to Henry Jones this particular place is used by many people in the industry so it would be important for us to get out there and experience the places we would soon be working with on projects. Borovick Fabrics in Berwick Street was our destination to find fabric for the baroque drapes in the drawing room. We were aware that we have two windows to get fabric for and with the mass of material needed to gain the richness of folds and drapes we would need a lot of fabric. We decided as a group that we were not making usable drapes, to lessen the price we would only make false drapes that do not close but remain open. To cater for both windows we would need at least 8-10 metres. When we got to Borovick we were shown many fabrics, some thinner silks others thicker rich curtain fabrics ranging from £15 - £36 a metre. At 10 metres this would be well over what we wanted to pay. Eventually we had the choice of three fabrics, one pastel pink, thin silk with a very faint pattern. This was the cheapest by the metre but we did not want the curtains to be this colour it did not inkeep with the baroque richness we were looking for and the thickness of the material would not have hung properly. The other one we rejected was a beautiful thick shiny muscle pink with a swirly embroidered design. at £360 for the 10 metres and it was slightly too modern so we decided against it. The final fabric was a rusty pink with an appropriate baroque goldern design. It was cheaper at £24 a metre but we agreed that instead of having two curtains one on either side of each window we would have one large drape going across (shown below). This lessened the amount we needed by almost half. In the end we purchaced 5 3/4 metres of this (all left on the roll) and a couple of metres of a pink tafeta to blend the rusty pink into the wall paper colour. The man in the shop helping us was haggled down by our charms and Nicky's cheekiness so we got all of this for £130 much better than the original quote of nearly £200!




After we had completed the task of buying fabric we head to the V&A to study some of their baroque furniture in the British and European 1500 -1900 section. I observed tables, frames, mirrors, chairs, panelling and tiles as well as smaller props like clocks and ornimants. They all follow a similar pattern of over embelished extravigantly carved gold. Much of our furnitire could be discribed as subdued baroque. We have used a lot of dark woods in the furniture we have made and aquired but not much is gold. I believe we are slightly intimidated by this furniture movement, on a small budget, with little experience in sculpting, and furniture construction/ restoration we did not want it to look cheap or tastless opposing everything that baroque ever stood for. Looking at these magnificent pieces or craftsmanship it is clear gold needs to feature in our room more, the fabric we bought today will hopefully inject some richness of texture back into our subdude designs.






Beginning of the week: Screen details













When adding the details onto the screen such as swirls and raised carvings we had to consider weight. If too much weight was added to the front of the screen then it would topple over or need the extre weight re enforcement box applied to the back of the central panel. polystyrene and paper mache seemed the cheapest, quickest and lightest option. I purchased a range of sized polystyrene balls in the university shop for 50p each. Cutting them in half and applying them with pva to the wood added some enhanced detail on the shaped frame. A piece of thick string and cord/braid was easily appied once drenched in glue, it was manipulated into swirls and borders. All these details were held down with two or three layers of pva, water and blue tissue. We used ble tissue instead of newspaper because it would sink into the small swirls and not hide the detailing underneath. The flat pieces of MDF had a final layer of newspaper added to stop the ridged texture of the tissue showing through the paint later on. While layers of the tissue were drying Rob and I tacked the crimson velvet in place using a stapel gun. By holding the two pieces of the screen together we were able to draw around the inside of the top frame, indicating where the fabric had to stretch to. In the original design only the outer panels had fabric inlays but we had enough spare to cover the central panel too so we did as we prefered this textured finish to just a painted effect. On the sections of the screen that had the smashed hole we merely notched the fabric with the intention of pinning it around the back later.
During this first half of the week the wallpapering was completed and dulux paint purchased in pale and darker shades of dusty pink and green so stenciling could begin. Before Rhyan and Jenny commenced with cutting out the stencils they painted the lining paper first with a thick coat of the lighter pink in the drawing room and darker green in the study. Fiona began painting the 60 tiles for the heater in the blue and white traditional pattern. Once a batch of tiles were completely dry they had a few coats of glaze to illde to ceramics rather than the wood they are made from. Callum and I gave the heater a rolled on layer of white emulsion to ensure once the tiles were applied that no MDF was visible beneath. Dan and Chloe and Nuria began construction of the bookcase in the alchove. By measuring out the sizes of the shelves and drilling positioned blocks they were able to arrange the plywood shelves and create a false front which the 'draws' woud be applied to later. Abbi and Nicki sanded down a coffee table they had purchaced over the Easter break for the central focus of the drawing room.



End of the Week, Screen, Tiles and other furniture







Towards the end of the week I left the chaise until Nicky found some braid and continued working on the screen. Before the Easter Holidays Rob and I had cut all the seperate pieces out with the jigsaw. Now using my mouse sander we were able to sand these pieces. While they were clamped to ensure both sections were the same size. Using some card I created a template for the legs and drew them in place on the MDF. These were then cut out and sanded. At this point we had six pieces of MDF that layered together to form the basis of the screens three panels. Now we had to consider how to bulk out the flat surface making patterns and details found in the 'carved wood'. To sculpt out the winged hourglass detail I used a powder called 'Art Mache' which when mixed 1 part mache to 3 parts warm water created a paper based pulp that was easily shaped and dried in a few days. Once dry it could be sanded and painted. I built the details of the wings and the glass out with this pulp applied straight onto the MDF. The mache had to be made larger than the necessary size as once dry it would have shrunk slightly. The mache was not toxic or harmful so I needed no PPE.
Other members of group 2 were continuing with the rooms. Rhyan Jenny and Vicky were still applying a layer of paste to the plywood skins then wallpapering over the top with the plain liner. Fiona with help from others was transfering her tile designs from tracing paper onto the primed white MDF tiles. Chloe and Dan were putting the final ideas together for their bookcase before beginning construction the next week. Construction of furniture was slowed down at the end of the week as we were waiting for a wood order. Nicky reupholsterd her desk chair as it was felt her first attempt was too neat and taught, it needed loosening so she stripped down the fabric and reaplied the staples and braid.